Brand Name: DYNACORD
Model Number: CMS2200-3
Descriptions:
The Compact Mixing System from Dynacord has seized pole position in this segment of the market by virtue of the quality of its sound, components and features. By integrating a high-quality mixer, two digital effects processors of studio grade, a graphic equalizer and also a professional digital interface to PC or Mac, the CMS mixers represent the ideal solution for a large number of demanding applications in the audio sector.
The mixing section starts with 16 lowest noise, discrete microphone preamps. 6 auxiliary busses, two of them switchable pre/post fader, allow high flexibility for monitoring. The two effects processors offer 100 factory presets, including the already legendary PowerMate-reverbs. A TAP key allows precise setting of delay times. Further, each preset can be edited and
stored to 20 User memories.
The built in uncompromising USB audio interface shares 4 playback and 4 recording channels simultaneously with a PC or Mac, following studio standard 24-bit / 96 kHz. An additional MIDI interface allows integration of instruments, such as keyboards. A license for
Steinbergs Cubase software is part of the package.
The 11 band stereo graphic equalizer can be routed flexible to master or monitor channels.
For dark environments an optional gooseneck light can be connected. All faders are dust protected and not least the balanced XLR outputs for master and monitor underline
the professional approach.
Optional a very robust cover lid with an integrated handle is available. A solution that offers optimal protection for the device as well as greater carrying comfort without the need of adding a large, heavy flight case.
Features:
- Intuitive mixer with 22 input channels
- (18 Mic/Line + 4 Mic/Stereo-Line)
- 2 High-Quality editable effects, 100 factory and 20 user presets
- Professional 4x4 24-bit / 96 kHz USB interface with MIDI
- 11 band stereo graphic equalizer
DYNACORD CMS2200-3 22‑channel compact mixing system
Specifications
Downloads
| Channels (Mono + Stereo) | 18 + 4 |
| Auxiliarys (MON, FX, AUX) | 2 Pre, 2 Post, 2 Pre/Post switchable |
| MIC GAIN (Mono / Stereo) | 0 to +60 dB / +10 to +60 dB |
|
SPECIFICATIONS |
| LINE/CD/USB GAIN (Stereo) | -10 to +20 dB |
| THD, at 1 kHz, MBW = 80 kHz | |
| MIC input to Master A L/R outputs, +16 dBu, typical | < 0.005% |
| Frequency Response, -3 dB, ref. 1 kHz, any input to any Mixer output | 15 Hz to 70 kHz |
| Crosstalk, 1 kHz | |
| Fader & FX/AUX/MON-Send attenuation | > 85 dB |
| Channel to Channel | < -80 dB |
| CMRR, MIC input, 1 kHz | > 80 dB |
| Input Sensitivity, all level controls in max. position MIC / LINE (Mono) / LINE (Stereo) / CD (Stereo) | -74 dBu (155 µV) / -54 dBu (1.55 mV) / -34 dBu (15.5 mV) / -34 dBu (15.5 mV) |
| Maximum Level, mixing desk | |
| MIC inputs | +21 dBu |
| Mono Line inputs / Stereo Line inputs | +41 dBu / +30 dBu |
| All other inputs | +22 dBu |
| All other outputs | +22 dBu |
| Input Impedances | |
| MIC / Insert Return | 2 ㏀ / > 3.3 ㏀ |
| 2Track Return & CD In | 10 ㏀ |
| All other inputs | > 15 ㏀ |
| Output Impedances | |
| Phones | 47 Ω |
| All other outputs | 75 Ω |
| Equivalent Input Noise, MIC input, A-weighted, 150 ohms | -130 dBu |
| Noise, Channel inputs to Master A L/R outputs, A-weighted | |
| Master fader down | -97 dBu |
| Master fader 0 dB, Channel fader down | -87 dBu |
| Master fader 0 dB, Channel fader 0 dB, Channel gain unity | -81 dBu |
| Equalization | |
| LO Shelving | ±15 dB / 60 Hz |
| MID Peaking, mono inputs | ±15 dB / 100 Hz to 8 kHz |
| MID Peaking, stereo inputs | ±12 dB / 2.4 kHz |
| HI Shelving | ±15 dB / 12 kHz |
| Master EQ 11-band (63, 125, 250, 400, 630, 1k, 1.6k, 2.5k, 4k, 6.3k, 12kHz) | ±10 dB / Q = 1.5 to 2.5 |
| Power Consumption | |
| without lamp / with lamp | 55 W / 60 W |
| Filter | |
| LO-CUT, mono inputs | f = 80 Hz, 18 dB/oct. |
| VOICE FILTER, mono inputs | switchable |
| FEEDBACK FILTER, MON 1/2 | 70 Hz to 7 kHz, Notch, -9 dB |
| Effects | |
| Type, effects presets | Dual stereo 24/48-bit multi effects processors, 100 Factory + 20 User, Tap-Delay |
| Remote control | Footswitch, MIDI |
| Display | 128 x 64 pixels, OLED |
| Digital Audio Interface | |
| Channels | 4 In / 4 Out |
| AD/DA Conversion, Sampling Rate | 24-bit, 44.1 / 48 / 88.2 / 96 kHz |
| PC Interface | USB2.0, Female Type B |
| Supported OS | See documentation |
| MIDI Interface | 5-pin DIN connector, In / Out |
| Protection | |
| Mixer Outputs (Relay controlled) | MON 1, MON 2, MASTER A |
| Switching Mode Power Supply (µC controlled) | Mains Over/Undervoltage, High Temperature |
| Phantom Power, switchable in groups | 48 V DC |
| Power Requirements (SMPS with auto range mains input) | 100 V to 240 V AC, 50 Hz to 60 Hz |
| Dimensions (W x H x D, without lid), mm | 818.5 x 155.0 x 498.5 |
| Weight, without lid | 14.5 kg |
| Optional Accessories | |
| Dust Cover for CMS 2200 | DC-SH2200-3 |
| Gooseneck Lamp, 12V/5W, 12”, XLR 4 pol. | DC-LITLITE-4P |
| FS 11 (Footswitch with LED) | DC-FS11 |
Device in rated condition, unity gain (MIC gain 20 dB), all faders position 0 dB, all pots in mid position, master fader +6 dB, unless otherwise noted.